Finland Europe
      


CULTURE

Finland's national epic, the Kalevala, compiled in the 19th century by the scholar Elias Lönnrot from old Finnish ballads, lyrics, and incantations, played a vital part in fostering Finnish national consciousness and pride. Indeed, the development of almost all Finland's cultural institutions and activities has been involved with and motivated by nationalist enthusiasm. This theme can be demonstrated in the growth and development of Finnish theatre and opera, in writing and music, in art and architecture, and also in sport. The festivals of various arts, held annually at places such as Helsinki, Vaasa, and Kaustinen, and the postwar proliferation of museums in Finland show an awareness of the individuality and importance of Finland's contribution to world culture. Savonlinna, in particular, is celebrated for its annual opera festivals.

After the conquest of the Finnish tribes by Sweden beginning in the 12th century (see History, below), the indigenous culture was to a great extent dominated by Swedish influences, which endure to the present. Among the peasants, traditional epic poems continued to be sung to the accompaniment of the zither-like kantele, and wood carvings and rugs were still decorated with the traditional polychromy and spiral, swastika (an ancient symbol), and similar simple, geometric designs. Among the educated, however, Swedish culture predominated. Swedish was spoken and, with rare exceptions, was the language of literature. Because the styles of Swedish art and architecture were largely derivative, many Finnish buildings and works of art reflected Italian, Flemish, German, and other European influences. In the 19th century, however, educated Finns began to revive the folk traditions of their country.

The country's most important theatre is the National Theatre of Finland, established in 1872 with Kaarlo Bergbom as producer and manager; its granite building in Helsinki was built in 1902. There are also several other municipal theatres. One of the most exciting in the country is the Pyynikki Open Air Theatre of Tampere, the revolving auditorium of which can be moved to face any of the natural sets. There are innumerable institutions connected with the theatre in Finland, including the Central Federation of Finnish Theatrical Organizations. There is a wide repertory of Finnish as well as international plays. The Finnish theatre receives some degree of government assistance.




 
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